Satire & Stereotypes: Baracka Flocka Flame
WARNING: The videos below contain a lot of profanity.
It seems the Baracka Flocka Flames controversy has heated up since the October 26 publication of Prez N the Hood: A Hip-Hop Parody Stirs Up Issues in the New York Times (video below; article requires log-in).
America’s foremost old cranky black man, Stanley Crouch, had nothing nice to say about Baracka Flocka Flames in his recent column for TheRoot.com. He dismissed the video as ‘minstrelsy.’
That shouldn’t surprise you, of course. According to Crouch, anything hip-hop — even if it’s satirical or in parody form — is What’s Wrong With Negroes. Rather than rebut Crouch myself, I will point you to Bomani Jones’ post Stanley Crouch, I think I’m on to you….
Now I am one who thinks Baracka Flocka Flames’ “Head of the State,” is f#cking hilarious, bordering on brilliant. Part of the humor for me is that I imagine the Obamas are Grade-A sh#t-talkers behind closed doors. You see glimpses of this sense of humor when President Obama speaks. You saw it when Michelle Obama was cracking on her husband’s dirty sock habits. So I can totally see Barack Obama making off color jokes along these lines for sheer sh#ts and giggles.* Plus, James Davis does a killer job of imitating Obama’s diction, making every utterance of “nigga,” downright funny. But that’s not the only humor I see inreason I love this piece.
“Head of the State,” for those who don’t closely follow hip-hop, is based on Waka Flocka Flame‘s “Hard in the Paint.”
Yeah.
Let’s just say that if Stanley Crouch titled his next column “Waka Flocka Flame is What’s Wrong With Negroes,” I will heartily co-sign. Waka Flocka Flame not only has a stupid-a## name, but he has also said he’s in it for the money, not the craft. And if we’re talking about topical content, <ebonics>this n*gga just stay ig’nant</ebonics>. This video, as Jones points out, fits much more closely with Crouch’s idea of minstrelsy, or the performance of stereotype for commercial gain.
“Head of the State” plays off the imagery and lyrics of “Hard in the Paint,” and by doing so, I think it becomes a multi-layered, satirical critique of class and race stereotypes and hip-hop video tropes.
Let’s think about this: Barack Obama was largely raised in Kansas. He not only attended college, but has degrees from Columbia University and Harvard Law — two Ivy League universities. Michelle Obama is similarly educated. So the idea of BHO unironically thug posing and rapping about his “main bitch,” and having his “own SK” is absurd. It is completely, utterly, and absolutely absurd.
And that absurdity makes “Head of the State” uncomfortable for the thinking viewer.
My second and third reactions were “Wow, this is rife with stereotypes, innit?” and “Sh*t, the tea baggers will have a field day with this.” And I suspect much of the criticism of “Head of the State,” from Crouch and others is related to W.W.W.P.T. — “What Will White People Think?” As Jones wrote, the truth is that, for better or worse, the mass media is America’s only introduction to black people.
But if you believe it’s plausible that a middle-class raised, currently upper-class, highly-educated black man, particularly the president of the United States would be chilling on the front steps of an abandoned house in a dangerous neighborhood, smoking Newports and dancing with a bottle of Smirnoff while surrounded by persons of questionable repute, I must ask who clings more tightly to the black-man-as-thug stereotype — you or Baracka Flocka?
And that’s why I love this “Head of the State,” video. It sticks a finger square in the eye of fake thug rappers who pimp gangster imagery for profit. And it sticks a finger in the eye of those who see Ivy League educated black people in the White House and manage to reduce them — and by extension all of us — to a narrow, negative stereotype.
Related:
Jay Smooth’s Raw Footage “I Forgot He Was Black.”
*Okay, raise your hand if an inappropriate HNIC joke has crossed your mind January 20, 2009.